Cover of Savage Lake

Savage Lake by Nick Medina Review

By Nick Medina

Analysis by Leon Bossasi

4.0out of 5

Editorial score · Recommended

Oscar knows what a cabin like this means in a horror movie. His mother knows what this particular cabin means to her. That gap helps make Savage Lake the quick, claustrophobic thriller I wanted from its setting.

Best forA remote-cabin thriller with a horror-movie-loving teenager, a mother who remembers the place, and a family mystery buried in a previous summer.

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Pace
Fast
Darkness
Dark
Romance
Minimal
Difficulty
Accessible

Should you read Savage Lake?

What works

I liked the way the lake and the trees make it difficult to tell how close the danger is. The frightening things Oscar can see and hear keep pressing him toward a conversation Nell has spent years avoiding.

What may not work for you

The cabin and the blocked road are recognizable horror setups. The book gets its character from Nell's reasons for dreading this place and from how much of her history Oscar still has to piece together.

A cabin to fix and sell

Nell Marin goes back to Torchlight Lake because her father has died and the family cabin needs to be sold. She takes her teenage son Oscar and plans to stay just long enough to fix the place up. Oscar sees the work in front of them. For Nell, even getting there means returning to a place she had decided to leave in the past.

The road and the water

A barricade on the road through Native land turns a short stay into a much longer one. The protest gives the surrounding community a concern of its own, while the danger Oscar is trying to understand comes from the lake, the woods and what he sees changing in his mother. I liked how quickly the setting closes around them. The open water carries a scream, but it doesn't tell Oscar where to look. Someone in the trees can see the cabin better than he can see them.

Oscar knows the movies

Oscar recognizes a setup horror films have trained him to notice. The isolated cabin and the difficulty of leaving look like the beginning of a story he knows how to watch. That makes him alert, but his movie knowledge is less useful when the thing he has to interpret is Nell's behavior. A genre rule can't tell him which question he can ask his mother or what she would be willing to answer.

Nell's earlier summer

The novel goes back to Nell's last summer at the lake in 1999. Those chapters give her a view of the place that Oscar can't get by asking a few questions in the present. They also give the reader a chance to see Nell as someone with a history of her own, at roughly the stage of life when Oscar is deciding what to make of the cabin. The two timelines change how much an ordinary pause in a conversation can mean.

The fear inside the house

The figure in the trees and the screams over the lake give Oscar something to look for. Nell becoming less recognizable to him gives him a problem he can't solve by watching the shoreline. I found the book most claustrophobic when those pressures ran together. A cabin can keep someone outside, and it can also leave you with nowhere to go when the person beside you starts acting differently.

How it fits with Medina's other novels

Torchlight Lake gives this book a setting of its own. The earlier novels spend time in the community Medina built on Takoda. Here there is less room to get away from one household's history. The Whistler also follows a character who recognizes the outline of a scary story and finds it inadequate to explain what's happening to him. Oscar gets his frame of reference from films. Henry used to make ghost-hunting videos.

Final thoughts

The two time periods move quickly enough to keep the sense of a short trip going very wrong. What held my attention was how little of Nell's story Oscar could know from watching her. The Savage Lake reading list follows that combination of a place that's hard to leave and a family that's hard to read.

Original publication
Publisher
Berkley
Review
Published
Reviewed by
Leon Bossasi
Genres & moods
Psychological HorrorThriller

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